It also includes sample patches, "Angels" and "Demons" from "Voices of the Apocalypse". They were also built with the WordBuilder in mind. The samples contain heavy vibrato vowels that allow the loudest Symphonic Choirs to crossfade with the FFF Mark Wherry's "Voices of the Apocalypse". The "Choirs (VOTA) Expansion" expansion pack was also later created using samples from Quantum Leap sound libraries.
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In the PLAY version 2.1.1 update released in 2010, WordBuilder and PLAY were integrated into a single interface.
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The software also works with Kompakt, allowing for use of sound layers for user creation of choirs to suit the means although the software can be used without Kompakt, the user will not be able to access the full capabilities of the sample library. Other samples include solo sounds in tones such as whispers covering Soprano, Alto and choir boy, though these samples do not use WordBuilder. The software only contains choir-themed samples, so it is not designed to sing any other genre of music. It was recorded with 3 microphones, allowing for results that give the impression of the choir being in different positions. The SATB sections offer Normal, Legato, Staccato, and Slurred articulations, while the young boys choir offers Normal and Legato articulations. It covers the ranges Soprano, Alto, Tenor and Bass and has audio engine effects and outputs. It has vocal samples for male, female and young boys' choirs. The WordBuilder works by the user typing in what they want the software to recreate and it playing back the words. Recorded in a real concert hall, the software initially had two styles of producing a result, the first being the "PLAY" engine version and the second being the "WordBuilder". The content was created by producers Doug Rogers and Nick Phoenix with recording engineer Keith O. I will probably wait for Cinesamples next 40% off sale, if I could get Voxos at $299, it would be a no brainier! But for now I'll work through SC and try to post a review here soon.Symphonic Choirs is a vocal synthesizer and vocal library software created by EastWest, designed to imitate an entire vocal choir. I read in another thread that they might be working on a sequel to SC, but until they announce I realize it could be years away (and need time for debugging), so I decided to pick up the current version while the summer sale is still on. Voxos limited builder works well if you want that Latin thing or quick shouts, but that aside its really just an Oooh, Ahhh, mmm library (although excellent for that, beautiful dynamics). I don't mind tweaking it like Nick did in his video, but just having the option to tweak like this is only available in SC and Virharmonic (which I can't get clear enough consonants to make reliable English), but please let me know if there are others. I listened to Voxos again and although I really like the sound and legatos, I know I would probably get more use out of Symphonic Choirs. I really like Murrthecat's Russian example above, even the "rough Russian" is clearer than most other libraries I've heard. Thanks Ed for clarifying the legato question. And how many dynamic layers are there? Even 3 with soft, med, loud crossfaded (like HB) would be useful if it sounds good. How well do the slurred legatos work and sound? I still get some issues with HS slurred legatos glitching or jumping up in volume momentarily, but I tend to work around it, I assume SC has non-slurred patches as well. Strange someone else had pointed out in another post that there are no legatos in SC. All Singers recorded in position and chromatically sampled with multiple dynamics (non-vibrato, light vibrato and heavy vibrato).Saw this on Sweetwater's site about Symphonic Choirs. But I can see how the two combined for a big choir sound with a word builder might be more idea for epic pieces. I'm not sure about Voices of Prague (don't own it), but I rarely find SOP usable even with a bed behind it. If SC is exclusively big sounding, I may hve to look elsewhere. I'd like to use it in simple pieces where the vocal will open the piece on it's own or have simple backing. Thanks ED, I guess for my music I am looking for something more intelligible with some clear consonants, not necessarily to mimic a real choir in a big space.